+1 650 405 4067
Tag Archives: cinematography
Adaptation in Film. 2022 Best
This is a research paper about Adaptation in Film. History of adaptation in film. More specifically talk about the movie “The Addams Family” and “Addams Family Values” and how these two films were adapted into a modern tv series on Netflix called “Wednesday”.
Adaptation in Film.
Write a research paper about Adaptation in Film. History of adaptation in film. More specifically talk about the movie “The Addams Family” and “Addams Family Values” and how these two films were adapted into a modern tv series on Netflix called “Wednesday”. Movie “The Addams Family”: https://www.imdb.com/title/tt0101272/?ref_=fn_al_tt_1 Movie “Addams Family Values”: https://www.imdb.com/title/tt0106220/?ref_=fn_al_tt_2 TV series Wednesday: https://www.imdb.com/title/tt13443470/. The structure of the paper should be: a) Introduction (2 pages)
Adaptation in Film.
b) Theory Explanation (2 pages) c) Description and Analysis (2 to 3 pages) Research Paper with Theoretical Framework Guidelines Objective: As a duo/trio, to complete an insightful film criticism research paper, that incorporates a theoretical framework. Also, to present this paper to classmates and possibly other faculty. Due Dates: Outside of class discussion with P.Ray as to film/TV show choices and theory and potential direction of paper. Wednesday October 5th Submission of Final Paper by email to P.Ray and responding duo/trio. Tuesday, 6th December by 4pm.
Adaptation in Film.
Specific Requirements 1. The paper must have a creative and meaningful title, that hints at/points to your thesis and conclusion. 2. The paper should be broken into headings and sub-headings to guide the reader and improve readability. 3. You can use either APA or MLA as the writing style. 4. For a duo I am expecting 8 – 10 pages, double spaced, Times New Roman, 12-point font. For a trio, 10 – 12 pages. This does not include the bibliography. See more guidance below. 5. I will be looking for logical quote citations (5 – 7) and paraphrased citations (4 – 5) in the paper. 6. The Bibliography/Works Cited should have at minimum 8 sources that are clearly used for citations in the text.
Adaptation in Film.
7. The presentation should be organized, and each person should present for a similar time. Overall, you get 7 minutes for a duo and 10 minutes for a trio. You have 1 minute extra to set up. 8. The presentation should have useful pictures, clips, and text. Text should not go beyond two lines per main point. Main points should be animated and come on one at a times as you present them. 9. Clips used should not last more than 2 minutes of the overall presentation. 10. There will be time to discuss the duo/trios work after their presentation. Another duo/trio will be assigned the task of asking/engaging pertinent questions.
Adaptation in Film.
General Guidelines 1. Decide early on a theory that you believe is a good fit for the film or TV program you want to explore. I am open to you using similar theories, but I will limit this to one repeated theory per duo/trio. In other words, two duos could use Genre Theory and engage with completely different films/TV shows. 2. Remember your textbook has examples/ case studies that show you how to engage a film with a theory. You can use that to guide/help your approach. 3. The theory chosen does not have to be the theory you present on.
Adaptation in Film.
More importantly, it is a choice based on what might help you see and discuss an aspect of a film/TV program that is insightful to culture, an audience, and academics. And in so doing, help you confirm, develop, or challege the theory itself. 4. Meet with me to discuss your ideas. I will use this meeting to help focus and guide you. You can meet with me at several points as you proceed. 5. Your paper’s overall structure should follow the following pattern: a. Introduction (1 to 1.5 pages) – capturing the reason/importance for this analysis and a declaration of your thesis. You could also propose a research question and hypotheses.
Adaptation in Film.
A good introduction also has a preview of key areas to come. b. Theory Explanation (1.5 to 2 pages) – a brief explanation of key tenets of the theory which can also include its weakness. This is also a good place to elaborate on why this theory is worth considering as a frame for this film/TV show. c. Description and Analysis (2 to 3 pages) – using the formal elements of film/TV shows (mise-en-scène, cinematography etc.) discuss notable moments that are worthy of consideration and that stand out.
Adaptation in Film.
An example of this might be scenes that capture the essence of your theoretical argument. For instance, if you were exploring the suitability of Chicago as a fit for the genre of musical and the sub-genre of Show, you might highlight the opening and ending frames of “the show” where main characters are singing to a “real” audience and compare those moments to the Cell Block Tango (and other selected scenes) where there is no real audience. You would clarify what is implied (we are in Roxy’s mind) and how the director/camera/ editing is achieving that. https://youtu.be/f6KS9N978fQ
Attached Files
|
Chinese Cinema in Global Perspective. 2022 Best
This paper explores Chinese Cinema in Global Perspective. Paper details: write a well-organized essay of about 800-1000 words that presents a clear argument and comparative analysis of two primary sources (films).
Chinese Cinema in Global Perspective.
Fall 2022 For your Midterm, please write a well-organized essay of about 800-1000 words that presents a clear argument and comparative analysis of two primary sources (films). You should also engage the ideas in at least one secondary source. Please submit your complete, correctly formatted essay Choose and answer ONE (1) of the following essay questions (100 points). Keep the following in mind: 1. Construct a clear, well-rounded thesis / argument. 2. Analyze and discuss TWO (2) films within the framework of your central thesis / argument. 3. Integrate and engage ideas in at least ONE (1) secondary source of relevant scholarship or theory.
Chinese Cinema in Global Perspective.
Be sure to accurately cite the author and title of the text(s) you are referring to. 4. Follow correct formatting guidelines (MLA or Chicago Manual of Style) for all references and bibliography (list of works cited). 1. The films Song at Midnight (Yeban gesheng 夜 半 歌 聲 , 1937) and Street Angels (Malu tianshi 馬路天使, 1937) are two of the earliest sound films made during the “Golden Age of Chinese Cinema.” Yet, they are very different from each other in tone and style. Song at Midnight is considered to be China’s first horror film, while Street Angels is a realist work that is often considered to be a masterpiece of Chinese left-wing cinema.
Chinese Cinema in Global Perspective.
Critically analyze these two films in a comparative framework by highlighting each work’s key themes, cinematic techniques, innovations, and meaning shortly before the outbreak of war. Note: If you wish, you may critically compare and discuss other films of this First Golden Age of Chinese cinema in the 1930’s. You may find and view more films here: https://chinesefilmclassics.org 2. What is the May Fourth Movement, why is it called “The Chinese Enlightenment,” and how is the “New Woman” trope central to this political, social, and cultural movement?
Chinese Cinema in Global Perspective.
Analyze and critically compare two films that engage the “New Woman” theme by focusing closely on key aspects of story and plot; characterization and performance; set design; and cinematography. In your film analysis, consider the ways in which these films contributed to the May Fourth “New Woman” discourse. 3. When we look at post-war Chinese films, we see the emergence of two types of films. On the one hand, in the film Crows and Sparrows (Wuya yu maqe 乌鸦与麻 雀, 1949), we see the realistic portrayal of social reality along with an urgent sense of political. intervention and a focus on the masses.
Chinese Cinema in Global Perspective.
On the other hand, in a film like Spring in a Small Town (Xiaocheng zhi chun 小城之春, 1948), we see a more lyrical portrayal of characters’ inner worlds and feelings. Describe these different cinematic modes by discussing these two films in a comparative framework. Focus closely on key themes, cinematic techniques, and messages each film conveys. Note: If you wish, you may critically compare and discuss other post-war films of this Second Golden Age of Chinese cinema in the late 1940’s. You may find and view more films here: https://chinesefilmclassics.org 4. What is Chinese revolutionary cinema, when did it emerge, and what was the purpose of these films?
Chinese Cinema in Global Perspective.
How are these films effective at communicating and bolstering communist revolutionary ideals? How are women represented in these revolutionary films, and for what purpose? Choose two films and discuss them in a comparative framework. In your essay, you may discuss either realist film or revolutionary opera, or compare these to genres to each other. Analyze the aesthetics and cinematic techniques of this genre by describing the music, dance, stage design, acting, cinematography, and ideological messages of these works. 5. What is the “Fifth Generation of Chinese Filmmakers” and why was this generation so important?
Chinese Cinema in Global Perspective.
Why are these filmmakers called “a new avant-garde? What are some of the most important innovations that they introduced to Chinese filmmaking? What are some of the key themes, techniques, and aesthetics they engaged in their cinematic work, and how do these films reject and subvert socialist realist cinematic modes? Choose two Fifth Generation films and analyze them in a comparative framework. https://youtu.be/VY5OJEMs59g
Attached Files
|
Famous Hollywood cinematographer 2022 Best
This assignment entails researching a famous Hollywood cinematographer of choice. Paper structure (by paragraph): summarizing the DP’s body of work. Describe the DPs history as it applies to cinematography, in either feature film or dramatic series.
Famous Hollywood cinematographer
Research in a famous Hollywood cinematographer of your choice. Paper structure (by paragraph): summarizing the DP’s body of work. Describe the DPs history as it applies to cinematography, in either feature film or dramatic series. What led them to this profession? Where did they get their training? Who are their biggest influences? Describe how they work on a production. What is their relationship with the director? What do they believe drives the way they design lighting and camera? What do they do or use to establish the “look” of the film/series?
Famous Hollywood cinematographer
Use two examples of their work and describe how the film’s look is consistent to the work they do in preproduction or the design stage of the film/series. In a short paragraph, describe how this research has affected how you think about cinematography and the art and craft of the Cinematographer. Make sure all the requirement listed above are answered specifically. DP = the cinematographer of a film Works Cited page required. https://youtu.be/b3NRvrmKeMA
Attached Files
|
